“ Neptune is a typeface inspired by the aesthetics of the violence of Ancient Rome with contemporary influences. Massara added a twist to the standard sans serif design to create a compelling font. The animation below shows an example of a sans serif font that David Massara created called Neptune. Sans serif typefaces and fonts normally lack ornamentation and can both improve legibility and add a minimalistic look to your work. Every single Bobber character is modular and grid based. It’s grid based and it’s called Bobber because it’s vintage style.The inspiration to Bobber was, of course, the bobber motorcycles but not just that. Lucas and Dmittry always liked to draw some typefaces and this is their first slab serif. Their design strategy focused on applying Bobber Motorcycles’s identity with the typeface design. Lucas Almeida and Dmitry Goloub created this beautiful serif for Bobber Motorcycles. Strategic Customized Typeface Examples: Bobber What will be of the best use - serif, sans serif, decorative or script? A typeface infuses your design with emotion and meaning, defining your brand’s identity in every medium, from packaging and editorial design to website design and business correspondence. Indikator is the work of Frode Helland, a type designer from Norway.When approaching the ideation process for brand identity and logo design, one of the most crucial considerations is the typeface selection. It will surely also come to good use in publications about contemporary culture and lifestyle issues. Indikator is an excellent selection for use in corporate communication or editorial design work. It feels a little ‘old-timey,’ like it is channeling design ideas from the first half of the twentieth century, rather today’s Silicon-Valley-style designs. Indikator had a lot of character and verve than many other humanist sans serif families. There is also an alternate version of the zero, with a slash running through its counter. The fonts’ OpenType features include alternate forms for the ‘I’, ‘J’, ‘4’, ‘i’, and ‘l’ – as well as a more Scandinavian version of the ‘Å’. Indikator’s numerals are tabular lining figures these are just as tall as the fonts’ uppercase. The fonts have a large x-height, and the lowercase letters’ ascenders are taller than the heights of the capital letters. Strokes end in either horizontal or vertical cuts, rather than in diagonals. The letters in each of Indikator’s weights appear virtually monolinear, in terms of stoke contrast. The italic fonts contain slanted, or oblique-style letters. Each weight has both an upright as well as an italic font on offer.
There are five weights in the Indicator family these range from Light through Bold. Indikator is a family of humanist-style sans serif fonts.
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